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Don’t have them die of old age after a long, fulfilling life. Many people don’t even think of this as sad (note that this can still work if you have enough of the other factors).
Leave one of their major goals unfinished. The more enthusiastic they are about completing the goal, the sadder.
Give them strong relationships with other characters.
Make them fight against whatever is causing their death. Their ultimate loss is sadder if they struggle.
Kill them in the middle of their character arc.
Don’t describe their funeral in detail. Maybe it’s just me, but I find that long descriptions of funerals kill the sadness.
That’s enough Satan’s publisher…
>B)
7. If possible, try to kill them off in the middle of the story, so we had time to like them and we will have time to let the loss settle in.
8. Also, place surviving characters in a situation where having the deceased person there would help them get out. You can choose whether you will point this fact out or if you want the audience to make the connection themselves.
9. Make them die by sacrificing themselves to save someone they love from a danger created by the antagonist.
based on a few deaths that made me blub like a baby…
10. have their loved one, broken hearted, tell the team to stop fighting because “its over.”
11. have their pet come looking for them.
12. have their loved one perform a popular song at their funeral so it makes the fans cry whenever it’s played.
13. family witnessing the death and/or blaming themselves.
~ Mulan
so… let’s add some frustration to your dear readers’ sadness, shall we?
14. kill the character in the middle of making a joke, smiling, or expressing/experiencing joy/happiness.
15. make the character’s death slow and painful, but make them unable to call out for help even though they can literally see the other characters nearby.
16. after killing the character, have others think the character had betrayed them so they’d always hate them and remember them as traitors and never say nice things about them… Give your readers no chance to have group-therapy with other characters by making them the only ones who know the truth.
17. right before their death, show a side of them nobody has seen. (someone who is always tough and brave being genuinely scared of dying alone; someone who is always laughing being in tears before dying, etc.)
18. make them the only person who knows a big important secret that would help other characters in the story.
19. have them being lied to before dying. (thinking they’ve been betrayed; thinking they weren’t loved; thinking they’ve lost their loved ones, etc)
20. make the character very enthusiastic/passionate about a certain goal, constantly put stress on their goal, have them die unexpectedly before they can reach their goal.
and the best one…
21. have another beloved character kill them–better be a close friend to your character, one that absolutely nobody suspects, one that everyone can’t help but love, one who is always enthusiastic about things and encourages your character. THEN
reveal the truth only later when it’s too late and the a-hole character has already escaped.
have a cowardly character know the truth and never tell anyone else
have another character find out the truth and have them die before revealing it to others.
have the said character ^ not actually die, but go through something so they’d forget the friend of the deceased character is actually an asshole.
This way only your readers will know the truth, thus the frustration would be… most enjoyable for you.
23. the character you kill should be the most innocent one. it’s horrifyingly sad if the puppy gets killed. but if its the bad guy that dies, it’s like “oh, cool.”
24. Show how it effects the other characters. Don’t just gloss over it. Is this the death that pushes them over the edge? Do they blame themselves? Do they scream at everyone and break down, or do they suffer silently?
25. Have their family find out. The mother screams, the dad cries, the brother punches the wall or holds the body sobbing “I was supposed to protect him”, or “come on, you need to wake up”
26. Have them beg for death from the person they loved most…
Antra no stop pls
CHILL
27. Have them die by accident. Take the character the readers will love most, who has never been mundane throughout all the time the readers knew them. Take that special character, the leader, the fighter, and let them die from something none of your characters could have prevented. A rotten bridge, a runaway carriage or drunk driver. Anything that could happen to anyone. Let it happen to them.
28.(my fave number!!) Oda style : make an arc about saving this character, show how many cares about them and are ready to help, show them close to victory but let the character get killed anyway, despite their efforts.
^ 28 in other words: Saving Private Ryan where you don’t get to save
Private
Ryan lol
something i forgot to mention:
29. kill the character but let nobody else know, so they would always forever wait for their return, meanwhile the readers know the character is already gone
and vice versa!
30. everyone thinks your character is dead but your character is going through unimaginable suffering and nobody is looking for them… the character dies alone and in pain
I’m thinking of merging the different branches of this post with the help of everyone who has contributed in different branches of it reblogs, let’s see how it goes ;>
